Measuring 20m x 11m, it is the largest among the Jain temples in Khajuraho. It is also one of the magnificently carved Jain temples in India. The walls of the temple have three bands of graceful sculptures depicting Hindu Gods.
The sculptures on the walls of this temple have been carved with great precision. More figures can be found on the outer face of the sanctum, depicting 'apsaras' (heavenly nymphs) in a variety of poses.
In the sanctum there is idol of Parshvanatha, a Jain Tirthankara. 
The temple is belied to be 1000 years old, but it might have been renovated some 300 years back. The brick wall seen above is not part of the temple. It is an enclosure build around the temple to provide shade.
The towers of the temples have beautiful sculptures and they have been painted. If on one side of the temple there is river, on the other three sides are sugarcane field, vegetable field and coconut garden.
How to Reach: It is located at a distance of 70 kms from Bangalore on State Highway 17 en-route to Mysore. There is a diversion to the right, 2 kms after Channapatna. After passing through a railway Crossing on this road, a mud road will lead to the temple. 
It is an open square pavilion resting on twelve pillars. It has a pyramidal roof of receding tiers of steps with minimal carvings at the top. The noteworthy decoration on its facades is a bold elephant frieze on the basement.
This is a simple temple built in a very small area very close to the gate. In Jhansi (state: Uttar Pradesh) this is one of the most popular temple. The wall behind the temple is the inner walls of the fort. A tour of fort is not complete without a visit to this temple. 
The main spire rises to a height of 31 m and is surrounded by 84 miniature spires. Other features of the temple are columned halls with balconies, an entrance porch, and the inner sanctum. Inside the sanctum is a marble linga representing Shiva.
Decorating the sides of the temple are numerous statues and the inner sanctum also has large number of ornate statues. Many of the side panels depict Shiva in the presence of apsaras, consorts, and other divinities. Most of the sculptures have economy of drapery but are effusively patterned with ornaments and flower motifs.
Its ornate gateway is very attractive with carvings on it.
Above is the front view of the temple when Sun rays fall on it. The people around it give us the sheer size of the temple.
This is rear view of the temple.
The external wall of temple has more than 3000 exquisite sculptures. The band of sculptures on the walls represent musicians, dancers and deities. Inside the garbha graha there is marble Shiv linga.
There are images of deities set into the outside walls. On one of the walls there is a four-armed dancing Lord Ganesh, holding an axe and broken tusk in his proper right hands, and with his proper left hands holding a laddu (sweet) and extended in a boon-granting gesture.
In the above image rocky nature of the place and various temples can be seen.
Above is the carvings on the pillars of one of the many temples in the place. 
It measures 19.1 meters in length and 13.9 meters in breath. This is a medium size temple. It consists of a mandap and garbha graha.
Around the temple are two band of sculptures with almost 3000 sculptures. This is less than half when compared to larger temples in Western Group of temples. The sculptures layout is a blend of gods, their consorts, female figures and mythical creatures.
In the garbha graha there is a dwarf image of Vamana, an incarnation of Lord Vishnu.
As the name suggests, it is dedicated to to the Jain Tirthankara Adinath. The temple is constructed in the form of 'sapta-ratha' with a single towered 'shikhara'.
There are several subsidiary towers clustering around the central tower. In this temple all the sections like a shikhara (tower), sanctum, the mahamandapa and an ardhmandapa are in fully developed stage and measures 21 m by 12 m. 
The ceiling of the maha mandap is made of a series of diminishing circles of overlapping stones like a flower. There is an image of Shiva on the lintel of the ornately carved entrance of garbh griha. The sanctum today enshrines a Shivlingam.
In this temple all the sections like a shikhara (tower), sanctum, the mahamandapa and an ardhmandapa are in fully developed stage and are interconnected, located on the same axis. 
Most of the temples are built of sandstone in varying shades of buff, pink or pale yellow. Erotic scenes represent a relatively small part of the carvings but sensuous eroticism prevails throughout all of the sculptures. The divine sculptures in these temples, are a tribute to Life itself, embodying everything that is sublime and spontaneous about it.The temples are grouped into three geographical divisions:
The vivacious colors of the frescoes are still retained. In the painting above there are various animals like men on elephants and horses. There are also peacocks at the corners.
This beautiful temple was built in 1622 by Vir Singh Deo. The condition of the temple soon worsened due to inadequate maintenance. It was reconstructed by Prithvi Singh during 1793. Built using lime mortar and bricks, the architecture of temple exceptional blend of temple and fort architecture. The temple has a rectangular plan with four multi-faced projecting bastions at its four corners. There are mural paintings on the interior walls of the temple.
The carvings on the central dome are exquisite as can be seen in the above image. The pillars on the corners are ornate with carvings. There is a statue of Lord Ganesh on this structure. 
I visited both these temples in December 2004, when I toured the State of Rajasthan.
Dilwara Temples: Located in Mount Abu (State: Rajasthan) these temples of 11th to the 13th century AD are world famous for their minutely carved ceilings, doorways, pillars and panels in marble. The specialty of these temples is externally they look very plane. This temple is on World Heritage Monuments list.
Built upon a massive stone platform and it is reached by a steep flight of steps. This is a huge temple that has plenty of light and space inside. The temple has a huge cross-shaped congregation hall that caters to devotees. Conical spires crown the sanctuary of the spacious temple. The temple was specially constructed to enshrine the image of Rama that queen got from Ayodha. But this could not happen and the image of Rama remained in the Ram Raja Temple forever.
Lotus emblems and other symbols provide the delicate exterior ornamentation. The doorway is crafted beautifully.
